Sunday, 31 August 2008

Dissident Cuban rocker fined $28, freed






HAVANA - A Cuban lawcourt convicted a punk rocker known for his raunchy lyrics against Fidel Castro of public disorder Friday, but freed him after dismissing a more serious "social dangerousness" charge that could have brought four years behind bars.

Following a two-hour trial, the courtyard ordered Gorki Aguila to pay 600 pesos (US$28) and sworn to release the 39-year-old singer, wHO defiantly screamed "Freedom!" as he was being light-emitting diode into the courtroom.

The fine is openhanded money in a country where virtually everyone, Aguila included, full treatment for the state and takes home an medium of 408 pesos (US$19.50) per month.

But Aguila would have faced far more severe penalization had he been convicted of "social dangerousness," which the government defines as violating "communist morality." That charge is often secondhand to detain would-be offenders before they have a chance to commit a crime.

Elizardo Sanchez, head of the independent Cuban Commission on Human Rights and National Reconciliation took the unusual stair of attending the trial - which was open to Aguila's father and band couple as good as around 10 of his supporters, but shut to reporters.

"The prosecution asked for a fine," aforementioned Sanchez, whose group is not recognised but largely tolerated by Cuba's commie government. "Fortunately, there will be no more time in prison."

Aguila was arrested Monday as his band, Porno para Ricardo, rehearsed at the modest Havana apartment he shares with his father. The case sparked international outcry simply caused small stir on the island, where the band has only a small simply devoted following.

Aguila was previously arrested in 2005 on drug charges that he says were fabricated because authorities objected to his music.

Founded 10 years agone, the band - whose name means "Porno for Ricardo" - is known for ridiculing the communist system, especially Castro, 82 and poorly, and his younger brother Raul, world Health Organization became president in February. Its songs at one time were broadcast on state wireless and TV, but the group was later banned and has resorted to small, episodic concerts in underground venues.

With long and wild curly black hair and healthy stubble, Aguila grinned and waved to supporters as officers laden him in a law cruiser following the opinion. He was taken to a municipal office to pay his fine and be processed for release.

Sanchez said Friday before the trial that the "dangerousness" charge normally results in jail time for people who stimulate not attached any crime.

"Because of 'social dangerousness,' thousands and thousands of Cubans ar in prison house," he said.

Band Guitarist Ciro Diaz aforementioned authorities told Aguila's state-assigned lawyer he was arrested for beingness "an anti-social."

"His lawyer aforementioned he talked to the prosecutors, and that a judge told them this was a political trial," Diaz said outside the courthouse. "That this was about an undesirable in the neighbourhood who made songs with lyrics against the system, against Fidel and everything else."

Diaz aforesaid he and a supporter were roughed up and arrested by state agents the old night after they held up a handwritten signal reading "Gorki" at an open-air concert by fabled Cuban isaac Bashevis Singer Pablo Milanes. He said they were treated for minor injuries and then interrogated for hours earlier being released without charge.

Gathered outside the courthouse earlier Friday's trial run were human rights observers from the Canadian and Dutch embassies, as good as an official from the U.S. Interests Section. Blogger Yoani Sanchez - who has won international acclaim for her criticism of the government - was given access to the test, which she called "an inquisition."

"It's a message to all those who have not up to now dared to criticize things but were thinking about it," she said.








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Thursday, 21 August 2008

Download Alessandro Safina mp3






Alessandro Safina
   

Artist: Alessandro Safina: mp3 download


   Genre(s): 

Latin

   







Discography:


Insieme a Te
   

 Insieme a Te

   Year: 2003   

Tracks: 13






The former twenty-first one C saw the develop of Italian isaac M. Singer Alessandro Safina, world Health Organization has combined his opera roots with contemporary pop music, to create a striking, hard-to-categorize style. Born in 1968 in a little town of Siena, Italy, Safina became interested in opera at an early age, and sang in leg productions across Europe of such operas as Puccini's La Boheme and Tchaykovski's Eugene Onegin. It wasn't until he was late in his teens that Safina became an supporter of pop and rock music, drawing inspiration from such bands as Genesis, the Clash, Simple Minds, and U2. Shortly thereafter, he began to merge the deuce styles together. In the '90s, Safina was ascertained by far-famed Italian pianist/composer Romano Musumarra, and the couple cursorily began to disk together, in an endeavour to have Safina's dream of creating a "soulful new pop opera medicine" to fruition. The end answer was Safina's self-titled debut, issued in September of 2001 (released on the Interscope label in America).





Cistercian monks offer help to Amy Winehouse

Monday, 11 August 2008

Los Temerarios

Los Temerarios   
Artist: Los Temerarios

   Genre(s): 
Latin
   Other
   Folk
   Pop
   Rock
   



Discography:


Recuerdos del Alma   
 Recuerdos del Alma

   Year: 2007   
Tracks: 10


Super Exitos: Con Mariachi   
 Super Exitos: Con Mariachi

   Year: 2006   
Tracks: 14


Tributo Al Amor   
 Tributo Al Amor

   Year: 2003   
Tracks: 14


20 Inolvidables   
 20 Inolvidables

   Year: 2003   
Tracks: 20


Una Lagrima No Basta   
 Una Lagrima No Basta

   Year: 2002   
Tracks: 14


Baladas Rancheras   
 Baladas Rancheras

   Year: 2001   
Tracks: 12


15 Exitos Para Siempre   
 15 Exitos Para Siempre

   Year: 1998   
Tracks: 15


Mi Vida Eres Tu   
 Mi Vida Eres Tu

   Year: 1996   
Tracks: 11


Veintisiete   
 Veintisiete

   Year:    
Tracks: 13


Edicion de Oro   
 Edicion de Oro

   Year:    
Tracks: 14




Los Temerarios' bubblegum ranchera has been the romantic soundtrack of millions of Mexican and Mexican-American youths' lives during the '90s. Combining elements of traditional Mexican ranchera music with keyboards, electrical bass and baronial percussion, they created a sound whose pull ofttimes took them to the cover side tier of Billboard's Latin charts.


Brothers Adolfo (b. 1963) and Gustavo Ángel Alba (b. 1968), from Fresnillo, Zacatecas, Mexico, were get-go exposed to the medicine business in the late '70s when their father rented a room in their house to local groups needing a place to practise. When the musicians left field, the brothers would sneak in and practice tunes. They formed La Brisa in 1977, acting parties and weddings. They landed a record contract on CBS Mexico in 1983 and adopted their current sobriquet. Their early end product comprised organ-driven ballads, rancheras, blast cumbias and even corridos. Local songwriter Samuel Guzman, world Health Organization more latterly has penned hits for Los Rehenes, wrote some of their other songs.


However, Los Temerarios failed to make a major impact until the Monterrey-based indie Disa sign them in the late '80s. By so, Gustavo's voice had developed into a sugary cross between Art Garfunkel and George Michael, and Adolfo's songwriting skills were forward. Sentimental ballads "Tu Infame Engaño" ("Your Infamous Deception"), "Ven Porque Te Necesito" ("Come, I Need You"), and "Sí Quiero Volver" ("Yes I Want to Come Back") solidified their repute for dramatic melodies and pleading, if naïve, lyrics. By 1991, the grouping consisted of Adolfo on keyboards, Gustavo on guitar, cousin-german Fernando Angel on bass, Mario Ortiz on drums and Carlos Abrego on pleximetry. Along with Fernando, the brothers formed Ángel Records in San Antonio in 1990 and released Lo Nuevo...y lo Mejor (The New and the Bes) the same twelvemonth. This move caused legal difficulties with Disa, wHO claimed they static owed the troupe an album. The grouping continued releasing its U.S. material on Ángel (after renamed AFG Sigma, the initals for Adolfo, Fernando and Gustavo) only remained on Disa in Mexico until 1994.


The significance of Los Temerarios' venture into the business face of music cannot be unostentatious. While Mexico-based labels specializing in onda grupera enjoyed rough parity, FonoVisa was the steamroller in the United States. It was intimately impossible for acts on other labels to make Billboard's Latin singles chart. The fact that Los Temerarios were wrenching up impressive chart numbers racket on their have label made them the nearly obvious chink in FonoVisa's armour. AFG Sigma bolstered its status as a real substitute when Temerarios protégé Zeus made the album chart in 1992 and the label picked up veteran groups Mister Chivo from FonoVisa and Conjunto Primavera from Joey. But Zeus rip up in 1993, and the label launch itself with more bands than it could promote. By 1996, non even Los Temerarios' singles were charting well. Former opposer FonoVisa made a generous tender to buy the company, and ahead the year was out, the deal was done. But of the scads of acts of the Apostles sign-language to AFG Sigma, only Los Temerarios and Conjunto Primavera got past times FonoVisa's velvety rope, leaving the rest of the roll to find another share. FonoVisa dramatically illustrated its manner with wireless when the fourth unmarried from Camino del Amor (Track of Love), "Cuando Fuiste Mía" ("When You Were Mine") charted higher than the first, second and third singles, which had been released on AFG Sigma. Ironically, by so Disa, EMI Latin and PolyGram Latino had made inroads on FonoVisa's mastery in the U.S. marketplace.


The 1991 release Mi Vida Eres Tú (My Life Is You) propelled the grouping to superstardom. The unique sound of the title cut, which backed mariachi instrumentation with galvanising bass and a dramatic crash on each bar's second gear drum, became a monetary standard and spawned legions of imitators. Though four singles were released from the album, the material was so systematically strong that wireless often played album tracks. Critics considered the lyrics well-worn, simply young fans identified with the themes of quixotic loss and brokenheartedness, influenced by the songwriting of Juan Gabriel and José Alfredo Jimenez. Fans likewise apprehended the group's jacket-and-tie dress code, which typeset it asunder from polyester-clad generation and before long divine a horde of imitators. The chemical group added a calliope-like keyboard sound to its 1993 spillage Tu Última Cancion (Your Last Song), and the soft rock 'n' roll musician "Una Tarde Fue" (It Was an Afternoon) featured blade guitar. Camino del Amor, from 1995, continued in the same nervure, as the grouping straddled the melody between pop balladry, where it cited Kenny G and Neil Diamond as influences, and the mariachi-influenced expressive style first-class honours degree heard on Mi Vida Eres Tú. Gustavo well-tried out a ranchera-influenced vibrato vocal on "Por Qué Te Conocí" ("Why Did I Get To Know You"), the first single from 1998 record album Cómo Te Recuerdo (How I Remember You) and the group's second base number one on Billboard's Hot Latin Tracks in the bridge of a year. The album offered no surprises.


The spate of kidnappings that hit Mexico in the '90s affected the chemical group, as the Angel brothers' father was kidnapped in 1997 in Zacatecas. He was returned alive simply minus a finger. The chemical group too ventured into movies, appearing in Sueño y Realidad (Dream and Reality) in 1993. In fall 2000, the band gathered an awarding for Best Grupero Performance for En La Madrugada Se Fue at the first annual Latin Grammy Awards. The album Poemas Canciones Y Romance was issued a year later.






Wednesday, 6 August 2008

The Gregorians

The Gregorians   
Artist: The Gregorians

   Genre(s): 
Ethnic
   New Age
   



Discography:


Chill Mistery-Chapter XII   
 Chill Mistery-Chapter XII

   Year: 2005   
Tracks: 12


Chill Mistery-Chapter X   
 Chill Mistery-Chapter X

   Year: 2004   
Tracks: 9


Sadness Chapter Part IV On Von De Nube   
 Sadness Chapter Part IV On Von De Nube

   Year: 2003   
Tracks: 17


Mystical Chapter V Gregorian Spirits   
 Mystical Chapter V Gregorian Spirits

   Year: 2003   
Tracks: 12


Mystical Chapter V    
 Mystical Chapter V "Gregorian Spirits"

   Year: 2003   
Tracks: 12